Our responses to the Best American Essays of 2019

Critical Responses

Teacher’s Note from Ms. Pate

Critical responses permit us to enter into conversations with great writers, wrestling with their ideas in a kind of exploratory dialogue. Check out Ryan’s response to the limitations of likeability, Noah’s dialogue with Alexander Chee on how fictionalizing yourself helps you to know yourself, Matti’s and Gray’s distinct explorations of environmental writing, Irene’s challenge to Michelle Alexander’s conception of resistance, Jay’s and Edward’s inquiry into Jia Tolentino’s exposé of incel culture, and Lizzy, Teddy, and E-Jun’s various treatments of Rabih Alameddine’s critique of diversity initiatives in publishing.

Not only are the ideas themselves engaging, but these essays are excellent models for authentic, analytical writing. Want to see ways to integrate evidence well? Would you like to see examples of students who warrant their claims, by providing clear connections between their claims, evidence, and reasoning? Are you wondering how analytical, critical responses can be grounded in personal connections? These essays are worth a read if any of these questions apply to you!

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Damsel Deceased: The Professors Accolade
Julia B., Education, Social Justice SAS Atrhetoric Julia B., Education, Social Justice SAS Atrhetoric

Damsel Deceased: The Professors Accolade

A Critical Response to Death of an English Major by Gary Taylor

“As a professor responsible for hundreds of students, Taylor was aware one could die. College aged kids are known to be impulsive, and not the most responsible — accidents can happen, and injury or even death is a possibility. But he didn’t imagine someone would be shot and killed.”

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Expanding the Choir: The Quest for True Inclusivity in World Literature
Lizzy Y., Culture SAS Atrhetoric Lizzy Y., Culture SAS Atrhetoric

Expanding the Choir: The Quest for True Inclusivity in World Literature

A Critical Response to Comforting Myths by Rabih Alameddine

“Alameddine warns us not to bask in our most comforting myth: telling ourselves that we are more culturally competent than the average person by reading any world literature at all, even when the literature we do consume mutes the microphones of truly diverse authors from publishing their stories.”

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Dominance, Not Diversity: Exposing the Limits of “Global Literature”
Teddy A., Culture SAS Atrhetoric Teddy A., Culture SAS Atrhetoric

Dominance, Not Diversity: Exposing the Limits of “Global Literature”

A Critical Response to Comforting Myths by Rabih Alameddine

“I’m able to represent an Iranian-American perspective, but I cannot represent an authentic Iranian perspective"; "They’re the perfect bridge: Chinese enough to be “exotic” to the non-Chinese, but American enough to not go against Western ideals”; A “diverse” that takes the guilt Americans may feel about past prejudice and turns it into comfort.

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