Our responses to the Best American Essays of 2019
Critical Responses
Teacher’s Note from Ms. Pate
Critical responses permit us to enter into conversations with great writers, wrestling with their ideas in a kind of exploratory dialogue. Check out Ryan’s response to the limitations of likeability, Noah’s dialogue with Alexander Chee on how fictionalizing yourself helps you to know yourself, Matti’s and Gray’s distinct explorations of environmental writing, Irene’s challenge to Michelle Alexander’s conception of resistance, Jay’s and Edward’s inquiry into Jia Tolentino’s exposé of incel culture, and Lizzy, Teddy, and E-Jun’s various treatments of Rabih Alameddine’s critique of diversity initiatives in publishing.
Not only are the ideas themselves engaging, but these essays are excellent models for authentic, analytical writing. Want to see ways to integrate evidence well? Would you like to see examples of students who warrant their claims, by providing clear connections between their claims, evidence, and reasoning? Are you wondering how analytical, critical responses can be grounded in personal connections? These essays are worth a read if any of these questions apply to you!
Read it
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Writing for Expression: Identity Through Writing
A Critical Response to The Autobiography of My Novel by Alexander Chee
“By transforming his personal experiences into a fictional narrative, Chee was able to vicariously examine his past trauma, enabling him to finally seek help in therapy. This underscores the powerful efficacy of writing as a cathartic tool for self-reflection.”

Opening the Anthology, Opening Our Minds: Discomfort as a Direction for World Literature
A Critical Response to Comforting Myths by Rabih Alameddine
“This is how true diversity should feel – where all writers are given a voice, not just those who are Americanized.”

Expanding the Choir: The Quest for True Inclusivity in World Literature
A Critical Response to Comforting Myths by Rabih Alameddine
“Alameddine warns us not to bask in our most comforting myth: telling ourselves that we are more culturally competent than the average person by reading any world literature at all, even when the literature we do consume mutes the microphones of truly diverse authors from publishing their stories.”

Drowning in Heat: The Learned Ignorance of Climate Change
A Critical Response to Come Heat and High Water by Mario Alejandro Ariza
“The socioeconomic status of fellow citizens should not be a determining factor for solving climate change, but instead, be the motivator.”

Dominance, Not Diversity: Exposing the Limits of “Global Literature”
A Critical Response to Comforting Myths by Rabih Alameddine
“I’m able to represent an Iranian-American perspective, but I cannot represent an authentic Iranian perspective"; "They’re the perfect bridge: Chinese enough to be “exotic” to the non-Chinese, but American enough to not go against Western ideals”; A “diverse” that takes the guilt Americans may feel about past prejudice and turns it into comfort.

Unlikable Truths: The Power of Authenticity
A Critical Response to On Likability by Lacy M Johnson
“Johnson challenges us to not turn away from “stories of our failures, our ugliness, our unlikability, and greet them with love when they appear,” even if doing so could jeopardize our likability.”